Mahk Intensity within Orange Vibrancy
for solo haegeum (2022); duration: 12′ 01″
publisher: Australian Music Centre

for solo sanjo gayageum (2022): sanjo gayageum in F (12-strings) with Korean Temple bowl (wooden striker) and voice (chanter); duration: 10′ 01″
publisher: Australian Music Centre

for solo piano (2021); duration: 8′ 08″
publisher: Australian Music Centre

for taegŭm (2020): solo taegŭm plus voice, Korean Temple bowl; duration: 9′ 46″
publisher: Australian Music Centre

Silky Mist Softly Lingers… Red
for solo guzheng (2018); duration: 9 minutes; publisher: Australian Music Centre
Blooms late when spring is gone…
for erhu, calligrapher-reciter & visual projections (2016); duration: 10′ 23″; publisher: Australian Music Centre

Dying of the Light: Pacific Resonance for Peter
for soprano saxophone (Bb) (2014); for alto saxophone (Eb) (2018)

for solo harp (2015); duration: 16′ 36″; publisher: Australian Music Centre

for shakuhachi (2010); duration: 5′ 00″; publisher: Wirripang

Qi Colour from Hidden Resonances
for piano (2010); duration: 5′ 00”; publisher: Wirripang

for piano (2005); duration: 10′ 53″; publisher: Wirripang
for piano (2005); duration: 5′ 00″; publisher: Wirripang
…Back to the Centre
for piano (2000); duration: 5′ 00″; publisher: Australian Music Centre
Te Kooti’s Song
for piano (1992); duration: 7′ 00″; publisher: Sounz
Timbres
for guitar (1991); duration: 10′ 00″; publisher: Waiteata
Juliet
for baritone and guitar (1990); duration: 2′ 00″
Koha for Rewi
for solo guitar (1990); duration: 3′ 00″
Te Kooti’s Song
for piano (1992); duration: 7′ 00″; publisher: Sounz
Three Movements
for piano (1984-85); duration: 12′ 00″
Pezzo Languendo
for piano (1984); duration: 5′ 00″; publisher: Otago University