solo

Gyeonggye: Border 

for taegŭm (2020); duration: 7’01”; publisher: Australian Music Centre

Hyelim Kim (taegŭm), Creativity Unlimited 2017, Western Sydney University

Silky Mist Softly Lingers… Red

for solo guzheng (2018); duration: 9 minutes; publisher: Australian Music Centre

Blooms late when spring is gone…

for erhu, calligrapher-reciter & visual projections (2016); duration: 10′ 23″; publisher: Australian Music Centre

Liu Ying (erhu), Poetic Energies 2017, Western Sydney University

Emergence from Darkness

for solo harp (2015); duration: 15’00; publisher: Australian Music Centre

Takano Reine (harp) & Bruce Crossman, Tokyo University of the Arts, 2017

Dying of the Light: Pacific Resonance for Peter

for soprano saxophone (Bb) (2014); for alto saxophone (Eb) (2018)

Katia Beaugeais (sop. saxophone) & Bruce Crossman, ABC Studios, Sydney 2018

In Gentleness and Suddenness

for shakuhachi (2010); duration: 5′ 00″; publisher: Wirripang

Jim Franklin (shakuhachi), Playhouse, Western Sydney University 2012

Qi Colour from Hidden Resonances

for piano (2010); duration: 5′ 00”; publisher: Wirripang

Kawai Chan (piano), The Keyboard in the 21st Century, Hong Kong 2019

After Resonance Blues

for piano (2005); duration: 10′ 53″; publisher: Wirripang

Majesty 

for piano (2005); duration: 5′ 00″; publisher: Wirripang

…Back to the Centre

for piano (2000); duration: 5′ 00″; publisher: Australian Music Centre

Te Kooti’s Song

for piano (1992); duration: 7′ 00″; publisher: Sounz

Timbres

for guitar (1991); duration: 10′ 00″; publisher: Waiteata

Pezzo Languendo

for piano (1984); duration: 5′ 00″; publisher: Otago University