Bruce Crossman’s sound world embraces Asian traditional musics, free form improvisation and European influenced interval-colour sonority towards a personal Pacific identity.
Crossman (Auckland, 1961) studied composition with Ross Edwards, David Blake and Jack Speirs. His qualifications include a Doctor of Creative Arts from Wollongong University, Master of Philosophy from York University and Master of Music (Distinction) from Otago University. He holds the position of Associate Professor and Coordinator of Composition in the School of Humanities and Communication Arts at Western Sydney University.
His music explores Asian-Pacific influences such as Japanese, Korean, Chinese and Filipino gongs and chant resonances with harmonic colour sonority emphasis in Gentleness-Suddenness (2012), Double Resonances (2008) and Daragang Magayon Cantata (2001). Crossman’s aesthetic is influenced by cross-disciplinary ideas from Chinese esthetics, Japanese aesthetics and architecture, Filipino-Australian poetry and abstract art.
Crossman’s music has been featured throughout the Asia-Pacific region including at the ISCM World Music Days (Sydney), Tongyeong International Music Festival (Korea), Asian Music Week (Japan), Tunugan (Philippines) and Pacific Rim Music Festival (USA). He has won a number of awards including the Queensland Philharmonic’s Corbould Prize and a Finalist Nomination for ‘Vocal or Choral Work of the Year’ at the 2007 Australian Classical Music Awards. Filigree Films have published a DVD of the music-theatre work Gentleness-Suddenness (2014). Wirripang have released several discs of his music including an album of compositions, Double Resonances (2008), and one of piano improvisations with multi-instrumentalist Michael Atherton, Resophonica (2009).
excerpt, Double Resonances (2008)
CONTACT Email: firstname.lastname@example.org; Address: Music Area, School of Humanities and Communication Arts, Western Sydney University, Locked Bag 1797 Penrith NSW 2751, Australia