ensemble

Hoheub: Every Last Breath

for taegŭm and percussion (2023): taegŭm and percussion (kkwaenggwari, 2 Korean Temple bowls [high, medium], ching, changgo)

Heaven to Earth: Border House

for Taegŭm and Sanjo Gayageum (2019-20) Taegŭm and Sanjo Gayageum in F (12-strings) (NB the score is written in F for the sanjo gayageumpart, sounding P5 lower)                                                       

Rushing Spirit Breath

for Taegŭm and Percussion (2017) taegŭm; 1 percussionist (voice, crotales, Filipino kulintang [8 bossed gongs], suspended cymbal, 2 Peking Opera gongs [high, medium], Korean ching and k’kwaenggwari, Japanese Temple bowl [high] (with bead striker), 2 tom-toms [middle, low], bass drum)

Strange Invisible Perfume

for Guzheng and Percussion  (2017) 1 Guzheng, 1 Percussionist (voice, crotales, kulintang [6 bossed gongs], hi-hat cymbals, suspended cymbal, 2 Peking Opera gongs [middle, high], Korean ching, 3 bongos [high, middle, low], 2 tom-toms [middle, low])

Fragrant Rain Clouds of Love

for percussion and piano  (2016); 1 Percussionist (Filipino kulintang, crotales, vibraphone, hi-hat cymbals, suspended cymbal, Peking Opera gong [high], 1 Korean ching (suspended), 2 bongos [high, medium], 1 snare drum, 2 tom-toms , bass drum; strikers: medium mallets, soft mallets, wire brush, percussion bow or double bass bow); Piano; duration: 12′ 37″; publisher: Australian Music Centre

Emergence from Autumn Darkness to Spring

for Jiari-Shakuhachi and Jinashi-Shakuhachi (2015) 1 Jiari-Shakuhachi (lacquered), [1.8 shaku length]; plus voice; 1 Jinashi-Shakuhachi (un-lacquered), or soft-toned wooden or unlacquered bamboo shakuhachi [1.8 shaku length]; plus voice and crotales [1 pitch D; sounding two octaves higher than written] with brass mallets, rubber mallets and percussion bow (or double bass bow); duration: 10’00’; publisher: Australian Music Centre

Where are the Sounds of Joy?

for trumpet, percussion, piano (2015) Trumpet (Bb) [notated at pitch in the score] (harmon mute, plunger [wow-wow]); 1 Percussionist; (Filipino kulintang, crotales, vibraphone, hi-hat cymbals, tam-tam cymbal [low], Peking Opera gong [high], 2 bongos [high, medium], 2 tom-toms , bass drum; strikers: medium mallets, soft mallets, wire brush, percussion bow or double bass bow); Piano; duration: 10′ 00″; publisher: Australian Music Centre

Resonance of Red

for sitār, tablā and harpsichord (2013) Sitār; 1 Percussionist: Tablā (tablā [dāhinā] and bāyān); Harpsichord (lower and upper manuals, 8+8 coupling, buff stop); duration: 15′ 00″; publisher: Australian Music Centre

Early Spring that No One Sees 

for viola, percussion and piano (2012) Viola, 1 Percussionist (Filipino kulintang or Cambodian korng thomm, crotales, vibraphone, hi-hat cymbals, suspended cymbal, Thai nipple gong, Peking Opera gong , Japanese Temple bowl [high], Korean ching [suspended], 2 bongos [high, middle], 2 tom-toms [middle, low], wood block [high/hollow], bass drum), Piano; duration: 14′ 00″; publisher: Australian Music Centre                                                                           

Spirit-Presence 

for two shakuhachi players (2012) 1 Jiari-Shakuhachi (lacquered) [1.8 shaku length] plus 2 crotales or small Japanese temple bowl; 1 Jinashi-Shakuhachi (un-lacquered), or soft-toned wooden or unlacquered bamboo shakuhachi [1.8 shaku length] plus 2 crotales or small Japanese temple bowl; duration: 10’00”; publisher: Australian Music Centre

Blossom Sadness 

for 2 violins, viola and cello (2012) duration: 14’00”; publisher: Australian Music Centre                                                                           

Not Broken Bruised-Reed 

for violin, percussion, piano (2010) violin, percussion (kulintang, crotales, vibraphone, bass drum, suspended cymbal, hi-hat cymbal, Peking Opera gong, 2 tom-toms [low, middke], ching [suspended], 2 bongos [middle, high], K’kwaenggwari); duration: 10′ 00″; publisher: Wirripang

Double Resonances

for piano and percussion (2008) piano; percussion (kulintang, crotales, vibraphone, bass drum, Korean Temple gong, suspended cymbal, Peking Opera gong, 2 roto-toms [low, middle], ching [suspended], 3 bongos [low, middle, high], K’kwaenggwari); duration: 17′ 00″; publisher: Wirripang

Fierce Tranquillity

for string trio (2007); violin, viola, cello; duration: 17′ 00″; publisher: Wirripang

B-Bop

for clarinet (Bb), cello, piano (2004); duration: 9′ 00″; publisher: Wirripang

Bluesy-Red Flirt                                                                                                                     

for chamber ensemble (2000): flute, trumpet (Bb), percussion (1 player), violin, violoncello, piano; duration: 11′ 00″; publisher: Australian Music Centre

Bordello Blues and Hymn

for chamber ensemble (1997): flute, trumpet (Bb), percussion (1 player), violin, violoncello, piano; duration: 11′ 00″

Dialogue for Jerusalem

for clarinet and piano (1989); duration: 12′ 00″

String Quartet

Lirico, Scherzo, Burletta (1989); duration: 30′ 00″

A Peace in Time

for two pianos (1989); duration: 10′ 00″

In Memoriam; Audrey Gillies: Symmetries

for clarinet (Bb), violin, cello, piano (1988); duration: 12′ 00″

Expression in Blue

for violin and piano (1988); duration: 6′ 00″; publisher: Waiteata

Dual

for two violins (1988); duration: 9′ 00″; publisher: Sounz

Expression in Blue
for violin and piano (1988); duration: 6′ 00″; publisher: Waiteata

Movements

for flute, clarinet, bassoon, piano, violin, viola and double bass (1984-85); duration: 15′ 00″

Running

for flute and cello (1984-85); duration: 6′ 00″

Armageddon

for chamber ensemble (1984-85); duration: 10′ 00″

Concertino

for chamber ensemble (1984-85); duration: 10′ 00″