ensemble

Heaven to Earth: Border House

for Taegŭm and Sanjo Gayageum (2019-20) Taegŭm and Sanjo Gayageum in F (12-strings) (NB the score is written in F for the sanjo gayageumpart, sounding P5 lower)                                                       

Hyelim Kim & Yi Ji-young

Rushing Spirit Breath

for Taegŭm and Percussion (2017) taegŭm; 1 percussionist (voice, crotales, Filipino kulintang [8 bossed gongs], suspended cymbal, 2 Peking Opera gongs [high, medium], Korean ching and k’kwaenggwari, Japanese Temple bowl [high] (with bead striker), 2 tom-toms [middle, low], bass drum)

Hyelim Kim & Claire Edwardes in action at Creativity Unlimited Music Festival 2017

Strange Invisible Perfume

for Guzheng and Percussion  (2017) 1 Guzheng, 1 Percussionist (voice, crotales, kulintang [6 bossed gongs], hi-hat cymbals, suspended cymbal, 2 Peking Opera gongs [middle, high], Korean ching, 3 bongos [high, middle, low], 2 tom-toms [middle, low])

Chiu Tanching & Claire Edwardes, Playhouse, Western Sydney University 2017

Fragrant Rain Clouds of Love

for percussion and piano  (2016); 1 Percussionist (Filipino kulintang, crotales, vibraphone, hi-hat cymbals, suspended cymbal, Peking Opera gong [high], 1 Korean ching (suspended), 2 bongos [high, medium], 1 snare drum, 2 tom-toms , bass drum; strikers: medium mallets, soft mallets, wire brush, percussion bow or double bass bow); Piano; duration: 12′ 37″; publisher: Australian Music Centre

Chu-Han Huang (piano) & Ya-Hsin Cheng (percussion) at the Kaohsiung Cultural Centre, Taiwan, 2019

Emergence from Autumn Darkness to Spring

for Jiari-Shakuhachi and Jinashi-Shakuhachi (2015) 1 Jiari-Shakuhachi (lacquered), [1.8 shaku length]; plus voice; 1 Jinashi-Shakuhachi (un-lacquered), or soft-toned wooden or unlacquered bamboo shakuhachi [1.8 shaku length]; plus voice and crotales [1 pitch D; sounding two octaves higher than written] with brass mallets, rubber mallets and percussion bow (or double bass bow); duration: 10’00’; publisher: Australian Music Centre

Where are the Sounds of Joy?

for trumpet, percussion, piano (2015) Trumpet (Bb) [notated at pitch in the score] (harmon mute, plunger [wow-wow]); 1 Percussionist; (Filipino kulintang, crotales, vibraphone, hi-hat cymbals, tam-tam cymbal [low], Peking Opera gong [high], 2 bongos [high, medium], 2 tom-toms , bass drum; strikers: medium mallets, soft mallets, wire brush, percussion bow or double bass bow); Piano; duration: 10′ 00″; publisher: Australian Music Centre

Tristram Williams, Peter Neville and Michael Kieran Harvey with Luping Zeng, Iwaki Auditorium 2015
Tristram Williams, Peter Neville and Michael Kieran Harvey with Luping Zeng, Iwaki Auditorium 2015

Resonance of Red

for sitār, tablā and harpsichord (2013) Sitār; 1 Percussionist: Tablā (tablā [dāhinā] and bāyān); Harpsichord (lower and upper manuals, 8+8 coupling, buff stop); duration: 15′ 00″; publisher: Australian Music Centre

Early Spring that No One Sees 

for viola, percussion and piano (2012) Viola, 1 Percussionist (Filipino kulintang or Cambodian korng thomm, crotales, vibraphone, hi-hat cymbals, suspended cymbal, Thai nipple gong, Peking Opera gong , Japanese Temple bowl [high], Korean ching [suspended], 2 bongos [high, middle], 2 tom-toms [middle, low], wood block [high/hollow], bass drum), Piano; duration: 14′ 00″; publisher: Australian Music Centre                                                                           

Spirit-Presence 

for two shakuhachi players (2012) 1 Jiari-Shakuhachi (lacquered) [1.8 shaku length] plus 2 crotales or small Japanese temple bowl; 1 Jinashi-Shakuhachi (un-lacquered), or soft-toned wooden or unlacquered bamboo shakuhachi [1.8 shaku length] plus 2 crotales or small Japanese temple bowl; duration: 10’00”; publisher: Australian Music Centre

Tomotsune Bizan and Kikuchi Kouzan in Spirit-Presence at Asian Music Festival 2014
Tomotsune Bizan and Kikuchi Kouzan in Spirit-Presence at Asian Music Festival 2014

Blossom Sadness 

for 2 violins, viola and cello (2012) duration: 14’00”; publisher: Australian Music Centre                                                                           

Not Broken Bruised-Reed 

for violin, percussion, piano (2010) violin, percussion (kulintang, crotales, vibraphone, bass drum, suspended cymbal, hi-hat cymbal, Peking Opera gong, 2 tom-toms [low, middke], ching [suspended], 2 bongos [middle, high], K’kwaenggwari); duration: 10′ 00″; publisher: Wirripang

Tzi-Zhen Huang (violin), Szu-Han Wang (piano) and Ssu Wei Lee (percussion) rehearsing at the 2011 Asian Composers Festival in Taiwan

Double Resonances

for piano and percussion (2008) piano; percussion (kulintang, crotales, vibraphone, bass drum, Korean Temple gong, suspended cymbal, Peking Opera gong, 2 roto-toms [low, middle], ching [suspended], 3 bongos [low, middle, high], K’kwaenggwari); duration: 17′ 00″; publisher: Wirripang

Bernadette Balkus and Claire Edwardes performing at Aurora 2008

Fierce Tranquillity

for string trio (2007); violin, viola, cello; duration: 17′ 00″; publisher: Wirripang

B-Bop

for clarinet (Bb), cello, piano (2004); duration: 9′ 00″; publisher: Wirripang

Expression in Blue

for violin and piano (1988); duration: 6′ 00″; publisher: Waiteata

Dual

for two violins (1988); duration: 9′ 00″; publisher: Sounz