for mezzo-soprano, percussion (crotales, vibraphone, kulintang, hi-hat cymbals, 2 Peking Opera gongs [middle, high]), & piano (2017); duration: 17′ 46″; publisher: Australian Music Centre

for mezzo-soprano, violin, piano, percussion (2010-12); mezzo-soprano (including clap-sticks); violin; 1 percussionist (kulintang, crotales, vibraphone, hi-hat cymbals, Peking Opera gongs [middle, high], Japanese temple bowl [high], ching [suspended], wood block); piano
Part 1: Water and Fire (14’00); Part 2: Spirit (11’00); duration: 25’00”; publisher: Australian Music Centre

for mezzo-soprano, piano, optional dancer/chanter (2001)
duration: 17′ 00″; publisher: Wirripang

Rituals for Soprano and String Quartet
for soprano and string quartet (1996); duration: 30′ 00″
Coat-tails Flying
chamber opera in three acts, (text, Hone Tuwhare; set design, Wallace Crossman) (1992-95); duration: 1 hour 18′ 00″
Humming
for SATB choir (1992); duration: 8′ 00″
“…To a Tuesday’s Blossoming Tree”
for chamber choir (SATB) (text, Hone Tuwhare) (1989); duration: 12′ 00″
Lontano Music-Theatre Songs
for voice and chamber ensemble (1984-85); duration: 8′ 00″
Eliot Songs
(text, T.S. Eliot) for mezzo-soprano and piano (1984-85); duration: 10′ 00″
Roxburgh Rages
(text, Bruce Crossman) for mezzo-soprano and chamber ensemble (1984-85); duration: 10′ 00″