Commission: Orquesta Marga Marga, Valparaíso, Chile
Luis José Recart Echenique (conductor and artistic director) and Orquesta Marga Marga commissioned Bruce Crossman’s Light Glances Between Things (string orchestra, poetry by Kate Fagan) for performance in Valparaíso, Chile.
Commission: Vanessa Sharman: Tall Poppies Album, Melbourne, Australia
Vanessa Sharman (pianist) commissioned Bruce Crossman’s Entangled Stillness (solo piano) for her Tall Poppies album release of Australian music called Australia Piano Lullabies, as part of her artist residency in Luberon, France, in December and January 24/25.
Curation: Knight-Smyly-Encarnação Concert & Knight Workshop
Bruce Crossman curated Knight-Smyly-Encarnação Make It Up live improvisation with Peter Knight on Thursday, 5 September 1-2pm at The Playhouse, and Knight Workshop: Student Improvisers to Image at Recording Studio (Building F), Penrith Campus (Kingswood), Western Sydney University, Australia.
Selection: Asian Music Festival 2025 in Kawasaki, Japan
Japan Federation of Composers selected Bruce Crossman’s Fragility and Sonorousness (piano) selected for performance at the Asian Music Festival 2025 in Kawasaki in Chamber Music Concert,Tuesday, February 4, 2025, 15:00 start time, MUZA Kawasaki Assembly Room, Kawasaki, Japan.
Filming: Open Spaces—Hoheub: Every Last Breath
Vincent Tay (DOP) filmed Open Spaces—Hoheub: Every Last Breath with Tito Siania Stowers (choreographer/designer), Bella Smith (dancer), Bruce Crossman (composer/ executive producer) and camera operators Chris Mallas, Billy Moa, and Abubakr Sajid on Sunday 15 December 2024 at Charlie Bali Reserve, Doonside, Western Sydney, Australia. Crossman’s music’s Hoheub: Every Last Breath (taegŭm, percussion), based on Kate Fagan’s poetry, was played by Bluetooth connection in the bush setting, from by our London team of Hyelim Kim (taegŭm) and James Larter (percussion), and Øyvind Aamli with Sydney mastering by Ian Stevenson.
Bruce Crossman 