Skip to content

Bruce Crossman

  • Facebook composer
  • Spotify Artist Crossman
  • Youtube Asian Pacific Composition

Composer | Improviser | Scholar

  • about
  • aim
  • compositions
    • solo
    • ensemble
    • orchestra
    • voice
    • improvisation
    • project
  • media
  • discography
  • news
    • Calendar
    • Performances 2025
    • Performances 2024
    • Performances 2023
    • Performances 2022
    • Performances 2021
    • Performances 2020
    • Performances 2019
    • Performances 2018
    • Performances 2017
    • Performances 2016
    • Performances 2015
    • Performances 2014
    • Performances 2013
    • Performances 2012
    • Performances 2009-11
    • Performances 1997-2008
    • Pacific experiences 1990
    • Awards
  • writings
    • Creative Musings and Reflections
      • after the sermon
      • blurring resonances
      • pacific journeying
      • tokyo in spring
      • garden of breath
      • twisting blues rhythms
      • undulating resonances
      • resonances of culture
      • drifting emergence
      • brutal-shy resonances
      • curvaceous cacophony
      • juke joint of sonic riotousness
      • hidden stillness
      • materiality and creativity
      • The Sense of What is Missing
    • Published Writings
  • teaching
    • Forums
      • Bold Transition Seminars 2021
      • something inexplicably subtle
    • Festivals
    • Events
  • posts for scores

Tag: Medeski and Wood free form improvisation

Emergence from Autumn Darkness to Spring details

Emergence from Autumn Darkness to Spring for Jiari-Shakuhachi and Jinashi-Shakuhachi (2015) 1 Jiari-Shakuhachi (lacquered), [1.8 shaku length]; plus voice; 1 Jinashi-Shakuhachi … More

Japanese Gagaku court music, Medeski and Wood free form improvisation, Noh theatre and Honkyoku; Christian medieval plainchant; Martin

Emergence from Darkness details

Emergence from Darkness for solo harp (2015/rev. 2016); duration: 15′ 00″; publisher: Australian Music Centre Performance note: Yukiko Hirao (harp) performed … More

Korean gayageum and Japanese koto gestures; Japanese architectural flow concepts; Martin, Medeski and Wood free form improvisation
A WordPress.com Website.
  • Subscribe Subscribed
    • Bruce Crossman
    • Already have a WordPress.com account? Log in now.
    • Bruce Crossman
    • Subscribe Subscribed
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar
 

Loading Comments...
 

    Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
    To find out more, including how to control cookies, see here: Cookie Policy