Performance: Kim Yuna Recital, National Gugak Center, Seoul, South Korea
Kim Yuna premiered Bruce Crossman’s Birdsong in Mulgoa (Improvisatory Mahk and Delicate Fingerprints) (solo haegeum) on 5 March 2026 at her Solo Haegeum Recital, National Gugak Center, Seoul, South Korea.
Publication: Crossman and Tay in TAASA Review
Bruce Crossman and Vincent Tay’s article on Visual-Music Energies was published as “Lingering, Suspended in Space: A Multi-Artform Event at the Opera House,” TAASA Review: The quarterly journal of The Asian Arts Society of Australia: Vol. 35.1 March 2026.
Publication: Crossing into Distance, Cambridge Scholars Publishing
Bruce Crossman’s article on Korean aesthetics published as “A Korean-Australian Aesthetic Within Breathing Materiality of Spirit and Being” (pp.52-74), Crossing into Distance, George Holloway (ed.), Cambridge Scholars Publishing: Newcastle upon Tyne, UK (2026).
Mahk Making Spaces, Utzon Room, Sydney Opera House
Noh Eunah (haegeum) performs Bruce Crossman’s Mahk Intensity within Orange Vibrancy, with artist Cheolyu Kim and filmmaker Vincent Tay on 27 September 2026 at Mahk Making Spaces, Utzon Room, Sydney Opera House, Sydney, Australia.
Choi Eunji (haegeum) and Joshua Hill (percussionist) perform Mulgoa Mahk and Silent Spaciousness with Richard Wu (artist), Cheolyu Kim (artist) and Vincent Tay (filmmaker) on 27 September 2026 at Mahk Making Spaces, Utzon Room, Sydney Opera House, Sydney, Australia (Cheolyu Kim’s Space 7 #157, 2024, (Pen on birch wood panel, 63 x 36 cm).
Choi Eunji (haegeum) and Joshua Hill (percussion) (Hill photo credit: Mikayla Robertson, 2025)
Bruce Crossman 