Dancing Deep-Sadness for string orchestra (2022) string chamber orchestra: 4.4.4.2.1 dedication note: Luis José Recart Echenique (conductor and artistic director) … More
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Fragrant Rain Clouds of Love details
Fragrant Rain Clouds of Lovefor percussion and piano (2016) 1 percussionist (Filipino kulintang, crotales, vibraphone, hi-hat cymbals, suspended cymbal, Peking Opera gong [high], … More
Gyeonggye: Border details
Gyeonggye: Border for Taegŭm (plus voice; and Japanese Temple bell [high] with suspended internal striker, or F crotales) (2020); duration: 7′ 01″; publisher: … More
Heaven to Earth: Border House details
Heaven to Earth: Border House for Taegŭm and Sanjo Gayageum in F (12-strings) (NB the score is written in F for the … More
Rushing Spirit Breath details
Rushing Spirit Breath for Taegŭm and Percussionist (voice, crotales, Filipino kulintang [8 bossed gongs], suspended cymbal, 2 Peking Opera gongs … More
Strange Invisible Perfume details
Strange Invisible Perfume for Guzheng, 1 Percussionist (voice, crotales, kulintang [6 bossed gongs], hi-hat cymbals, suspended cymbal, 2 Peking Opera gongs … More
Garden of Fire details
Garden of Fire for mezzo-soprano, percussion (crotales, vibraphone, kulintang, hi-hat cymbals, 2 Peking Opera gongs [middle, high]), & piano (2017); duration: … More
Blooms Late When Spring Is Gone details
Blooms late when spring is gone… for erhu, calligrapher-reciter & visual projections (2016); duration: 10′ 23″; publisher: Australian Music Centre film sample … More
Emergence from Autumn Darkness to Spring details
Emergence from Autumn Darkness to Spring for Jiari-Shakuhachi and Jinashi-Shakuhachi (2015) 1 Jiari-Shakuhachi (lacquered), [1.8 shaku length]; plus voice; 1 Jinashi-Shakuhachi … More
Emergence from Darkness details
Emergence from Darkness for solo harp (2015/rev. 2016); duration: 15′ 00″; publisher: Australian Music Centre Performance note: Yukiko Hirao (harp) performed … More
Bruce Crossman 